THE ODDBALL COUPLE
(ABC, September 6-December 20, 1975)
DePatie-Freleng
Enterprises, Paramount Television
(ABC, September 6-December 20, 1975)
MAIN CAST:
Frank Nelson – Spiffy, various
Paul Winchell – Fleabag, various
Joan Gerber – Goldie Hound
Joe Besser – Various
Bob Holt – Various
Sarah Kennedy – Various
Don Messick – Various
Ginny Tyler – Various
Frank Welker – Various
Frank Nelson – Spiffy, various
Paul Winchell – Fleabag, various
Joan Gerber – Goldie Hound
Joe Besser – Various
Bob Holt – Various
Sarah Kennedy – Various
Don Messick – Various
Ginny Tyler – Various
Frank Welker – Various
On
November 13, Felix Unger was asked to remove himself from his place of
residence. That request came from his wife. Deep down, he knew she was right;
but he also knew that someday he would return to her. With nowhere else to go,
he appeared at the home of his friend, Oscar Madison. Several years earlier,
Madison’s wife had thrown HIM out, requesting that HE never return. Can two
divorced men share an apartment without driving each other crazy?
The Odd
Couple began life as a stage play penned by legendary playwright Neil Simon. The
story followed neurotic neat freak news writer Felix Ungar as he’s kicked out
of his house by his wife and forced to move into the uptown New York apartment
of his friend, slovenly sportswriter Oscar Madison. While Oscar can’t keep
house and spends and gambles too much, he seems to live a happy life; whereas
Felix only seems to enjoy pointing out his own and other people’s mistakes to
the annoyance of all involved. The clashing personalities drive Oscar to the
point that he kicks Felix out, but soon takes him back in after realizing the
positive effect Felix has actually had on him.
There are
conflicting accounts on where the idea for the play came from. One says the
idea originated with Neil’s brother and one-time writing partner Danny, who was forced to move
in with newly-single theatrical agent Roy
Gerber in Hollywood while he and his wife were getting divorced. The two
men had contrasting personalities—Danny was anal retentive while Gerber’s
daughter, Pam, described his
messiness as “clean clutter”—that inspired Danny to try and write some of
their resulting antics down. However, he got stuck early on and passed it off
to Neil to finish crafting. The play ultimately caused
a rift between the brothers when Danny only got 1/6th of the
royalties and failed to receive a “from an idea by” credit. Another account
from James Robert Parish’s biography
of filmmaker Mel Brooks claimed that the play originated from Neil’s
observance of Brooks’ time living with writer and artist Speed Vogel for 3 months
following the separation from his
first wife.
The Odd
Couple opened on Broadway in 1965 and ran until 1967, netting several Tony Awards and additional nominations.
Directed by Mike Nichols, it
originally starred Walter
Matthau as Oscar and Art
Carney as Felix. Jack
Klugman and Pat Hingle
would replace Matthau and Eddie
Bracken and Paul Dooley
would replace Carney during the show’s run. Proving a success, the play
received multiple revivals and reimaginings over the years beginning in 1968.
In 1967,
Simon sold the film and TV rights to Paramount
Pictures. A film adaptation came the following year, directed by Gene Saks and featuring Matthau
reprising his role with Jack
Lemmon as his co-star. The film largely followed the original story of the
play with some additional scenes written by Simon to take some of the action
out of the apartment and into the city. Released on May 2, 1968, the film was a
critical and commercial success, earning $44.5 million to become the
third-highest grossing film of the year.
Looking to
capitalize on the success of the film, Paramount ordered the production of a TV
show adapting the play/film and expanding upon the story. Klugman reprised the
role of Oscar, while Tony
Randall reprised the role of Felix from another production of the play. Although
the first season of the show used the same set as the film (moved to a larger
set to accommodate a studio audience in season 2), a number of changes occurred:
Felix’s last name went from “Ungar” to “Unger”; he now worked as a commercial
photographer; he was more highbrow with refined tastes in food, music and the
arts; his wife was renamed Gloria from Frances; and the ages of his two
children were reversed. Oscar also went from having two children to none at
all. The series debuted on ABC on September
24, 1970 and ran five seasons until March 7, 1975. Despite never reaching the
top 30 in the Nielsen ratings thanks in
part to ABC constantly shifting it around its schedule, the summer reruns rated
particularly high and prompted the show’s renewal each year.
Meanwhile,
animation studio DePatie-Freleng
was reeling from the monumental failure of Bailey’s Comets. As it
featured 90 characters on roller skates requiring constant motion, a large
animation crew working day and night was needed to get the show done on time.
It ended up going overbudget and received poor ratings; being banished to
Sunday mornings after only four months. The studio found itself without work
for the following television season and decided the best way to forward was
switching focus away from untested original ideas. The first entry in this new
direction was an animated adaptation of The Odd Couple.
Like the
source material, the cartoon focused on the misadventures of two roommates and
co-workers that couldn’t have been more opposite. You had Spiffy (Frank
Nelson), a cat who was orderly, polite, and a stickler for cleanliness and
organization. Then you had Fleabag (Paul Winchell), a lazy dog who was rude,
obnoxious, inconsiderate and sloppy in every way imaginable with an appetite
for unusual food concoctions. These differences extended to their shared
environments as well; with their home being half nice house and half rattrap,
their car being half pristine and half junker, and their office being half
clean and tidy and half dirty and sloppy. They worked together as freelance
reporters—Spiffy was the writer and Fleabag the photographer, flipping the
sitcom’s occupations—and had a slightly ditzy secretary named Goldie Hound (a
play on Goldie Hawn, voiced
by Joan Gerber). To help keep out of doing too much himself, Fleabag often rigs
up Rube
Goldberg machines to do chores for him. Despite the fact Fleabag, Spiffy
and Goldie were anthropomorphic animals, the rest of their world was inhabited
by normal humans and animals.
Developed
under the title Fleabag and Spruce, then The Odd Couple, The
Odd Ball Couple and finally The Oddball Couple, the series debuted
on ABC on September 6, 1975. It was the first DFE series to air on the network,
since they had previously aired the sitcom. Each episode contained two segments.
The series was written by Bob
Ogle, Joel Kane, David Detiege, Earl Kress and John W. Dunn, with Ogle serving
as story editor. The characters and main titles were designed by Art Leonardi. The music was
done by Doug Goodwin, with
the theme arranged by Joe
Siracusa and conducted by Eric
Rodgers.
The
Oddball Couple only lasted a single season; remaining on the schedule in
reruns until the fall. Not much was done for the series in terms of merchandise
beyond several coloring
books published by Lowe in 1977. The series wouldn’t even see a home media
release for 42 years until it was brought
to DVD by CBS Home
Entertainment via Amazon’s CreateSpace in 2017 (CBS is currently owned by Paramount). As for The
Odd Couple franchise, there had been several more television and film
adaptations to accompany the continuing stage versions. In 1982, ABC aired The New Odd Couple
for a season, recasting the main characters as Black (earlier stage versions
had done this as well). In 1998, Neil Simon wrote and produced The Odd Couple II,
reuniting Matthau and Lemmon for their 10th and final collaboration,
that unfortunately proved to be a critical and commercial flop. The latest
continuation came in 2015 when CBS aired a reboot again called The Odd Couple,
which was created, developed, produced, written and starred Matthew Perry as Oscar, with Thomas Lennon playing Felix. It
was cancelled after 3 seasons.
EPISODE GUIDE:
“Spiffy’s Man Friday / Who’s Zoo” (9/6/75) – Fleabag
convinces Spiffy to try and cross the ocean in a canoe to sell their story for
big bucks, only for them to end up shipwrecked. / A witch turns Fleabag into a
frog to prove that she’s actually a witch.
“A Day at the Beach / Fleabag’s Mother” (9/13/75) – When
Spiffy forces Fleabag to spend their day off at the beach, Fleabag uses a
magical genie to show up Spiffy in various activities. / Spiffy sends Fleabag
to Hawaii so he can do an important interview in peace, but Fleabag’s mother
drops by for an unexpected visit.
“Spiffy’s Nephew / To Heir is Human” (9/20/75) – Spiffy’s
nephew Catnip turns out to be a real menace for Fleabag. / Fleabag sets up a
phony inheritance to get Spiffy off his back about being clean and tidy.
“A Royal Mixup / Paper Airplane” (9/27/75) – When they’re
invited to interview royalty, Spiffy seeks to refine Fleabag so he won’t embarrass
them. / Fleabag ends up turning a check into a paper airplane and sending it
out the window.
“The Bighouse and Garden / The Talking Plant” (10/4/75) – Fleabag
and Spiffy must break into prison in order to get a valuable interview
with an inmate. / Spiffy agrees to a story on a plant that ends up taking a
disliking to Fleabag and causes him trouble.
“Family Album / Hotel Boo-More” (10/11/75) – Fleabag and
Spiffy go through the family album Fleabag finds in the attic. / When the car
breaks down, Spiffy and Fleabag find themselves in a ghost town inhabited by
real ghosts.
“Irish Luck / Who’s Afraid of Virginia Werewolf?” (10/18/75)
– Fleabag accidentally buys a leprechaun at an auction that turns out to be
anything but lucky. / Fleabag and Spiffy go to interview a woman turning
100-years-old, not knowing she suffers from spells of lycanthropy.
“Dive Bummers / Do or Diet” (10/25/75) – Spiffy and Fleabag
end up trapped on alone an airplane when all of the skydiving crew accidentally
jumps out. / Fleabag resolves to go on a diet to get back into a decent shape.
“Klondike Oil Kaper / Old Bugeyes is Back” (11/1/75) – Fleabag
drags Spiffy to the Klondike to claim the oil well he’s told he won. / Spiffy
must get out of the noisy city to create his poetry, but finds out nature isn’t
as peaceful as he hoped.
“Mugsy Bagel / TV or Not TV” (11/8/75) – Trying his hand at
crime reporting, Fleabag believes some keys he found will lead him to a notorious
criminal. / While interviewing a big star, Fleabag gets roped into taking over
for the stunt double that quit.
“Ali Cat / Joker’s Wild” (11/15/75) – Fleabag tries to
convince Spiffy to let him keep the cat that saved him from the neighborhood
bully dog. / A bothersome man moves himself into Fleabag and Spiffy’s house
promising them a lot of money to take down his life story.
“Cinderbag / Mama Fleabag” (11/22/75) – A fairy godfather
helps Fleabag clean up so he can go to a royal ball with Spiffy. / Two tired
old storks decide to leave a giant baby with Fleabag and Spiffy.
“Do It Yourself, Fleabag / Roman Daze” (11/29/75) – Fleabag
gets the home improvement bug—unfortunately, he’s not very good at it. / Fleabag
and Spiffy end up in ancient Rome and as Emperor Nero’s chefs.
“Fleabag’s Submarine / Foreign Legion” (12/6/75) – Inspired
by a hit underwater film, Fleabag decides to buy a submarine to make a film of
their own. / Fleabag and Spiffy accidentally join the foreign legion when they
go to do a story on it.
“Bats in the Belfry / Superhound” (12/13/75) – Fleabag and
Spiffy are assigned to spend a night in a haunted castle whose vampire master
is still very much present. / Some food in Fleabag’s care package from his
mother turns him into a superhero.
“Jungle Bungle / Talent Scouts” (12/20/75) – Fleabag and
Spiffy head to the jungle to find a missing explorer. / Fleabag and Spiffy are tasked
with hosting the annual variety show to replenish their club’s coffers.
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