Marlow Vella & Lisa Paulette (episode 1-4) and Jana Lexxa (singing) – Seymour Krelborn, various
Tamar Lee & Jennie Kwan (singing) – Audrey Mushnik, various
Harvey Atkin & Michael Rawl (singing) – Mr. Mushnik
Roland “Buddy” Lewis & Terry McGee (singing) – Audrey Junior
David Huband & Mark Ryan-Martin (singing) – Paine Driller, various
In 1959, independent filmmaker Roger Corman
had just completed a film for American
International Pictures called A Bucket of Blood.
Given only $50,000 and a five-day shooting schedule on some sets leftover from Diary of a High
School Bride, Corman decided he was
bored of straightforward horror and added some humor elements along with writer
Chares B. Griffith.
Visiting various beatnik coffeehouses helped them come up with the story: a
dark satirical black comedy horror film about beatnik culture.
Griffith, whose parents came from a vaudeville background, helped Corman around
his unease at directing comedy for the first time.
For Corman’s next attempt at horror
comedy, there has been several origin stories for its conception. One account
was that it was a bet. Another
was that because new residual rules for actors were coming into place on
January 1, 1960 that would change how Corman did business and he wanted to beat
the deadline with one last picture. Corman himself
would say that it began as a joke; that while having lunch with the manager of
the small rental studio where he worked out of, he was told that production on
a film was wrapping and they were leaving the sets up for a time before taking
them down. Corman, familiar with the sets and not having a lot of money on hand,
decided almost as a joke that he would make a film utilizing them within two
days. Re-teaming with Griffith, they hashed out a story and Griffith wrote the
script.
The Little Shop of Horrors was
set in a flower shop in Los
Angeles’ Skid Row. Bumbling shop clerk Seymour Krelboined (Jonathan Haze)
was attempting to keep his job by presenting his boss, Gravis Mushnick (Mel Welles),
a unique flower grown by combining seeds he acquired from a Japanese gardener. The
plant, resembling a large Venus
flytrap, was named Audrey Jr. after his crush, co-worker
Audrey Fulquard (Jackie
Joseph). However, the flower was in poor shape and Seymour
had only a week to revive it before losing his job. Discovering it thrived on
human blood (and could talk, courtesy of Griffith), Seymour soon fell
into an accidental murder spree that kept Audrey Jr. fed and growing almost
larger than the shop, attracting new business for Mushnick in the process. The
film was populated by a host of eccentric characters, including regular
customer Siddie Shiva (Leola
Wndorff), whose relatives seemed to die every day; new
customer Burson Fouch (Dick
Miller), who enjoyed eating plants and decided to make
Mushnik’s his regular spot; sadistic and lousy dentist Dr. Farb (John Herman Shaner);
and Seymour’s hypochondriac mother, Winfred (Griffith’s grandmother Myrtle Vail).
The film was shot similarly to a
sitcom, with three days of rehearsals and two days of actual filming utilizing multiple
cameras on fixed sets with no dynamic lighting. Because of rules at the time,
it worked out cheaper in Corman’s favor to pay the actors on a weekly basis
than on a daily one, so he hired them all for the week. Exterior shots were
then done over two weekends by Griffith and Welles, and Haze would later recall
that there were some reshoots. The film was very similar to Blood: utilizing
minimal sets, Corman’s regular stock actors, and the structure of the story of
a dim-witted character failing upwards with murderous results. Miller, who
played the lead in Blood, turned down the starring role for the smaller
role he ended up having. A pre-fame Jack Nicholson
also appeared as a masochistic dental patient.
Corman had trouble finding
distribution for his film as some felt the characters of Mushnik and Shiva were
anti-Semitic (Welles himself was Jewish and created his character’s accent). It
was finally released by his production company, The Filmgroup,
nine months after its completion. After being screened out of competition at
the 1960 Cannes
Film Festival, AIP distributed the film as the B movie
for their release of Mario
Bava’s
Black
Sunday, gaining it extra
attention. The film slowly gained popularity through television airings
throughout the 1960s and 1970s, becoming a cult classic.
In 1982, the film was adapted into an Off-Broadway horror comedy rock musical with direction and lyrics by Howard Ashman and music by Alan Menken. The musical took some liberties with the original story: the setting was moved to New York’s Skid Row; Mrs. Shiva, Burson Fouch, the detectives that investigated the various deaths and Seymour’s mother were omitted and Seymour (given the new surname Krelborn, played by Lee Wilkof) became a ward of Mr. Mushnik (Hy Anzell); Audrey (Ellen Greene) was put into an abusive relationship with the dentist, now renamed Orin Scrivello (Franc Luz), to give Seymour more of a motive to kill him; a chorus of street urchins modeled after girl groups of the 1960s was added; Audrey Jr., now named Audrey II (Ron Taylor voice, Martin P. Robinson puppeteer), was remade as an alien intent on taking over the world; and the show ended with a much darker ending emphasizing class struggles and moral values. By the time the show closed in 1987, it was the third-longest running musical and the highest-grossing production in Off-Broadway history.
One
of the show’s original producers, David Geffen,
decided to adapt the stage show into a new musical feature film. Frank Oz
was tapped to direct and worked on the story to make it more fitting for film.
The film starred Rick
Moranis as Seymour, Vincent Gardenia
as Mr. Mushnik, Steve Martin as Orin
Scrivello, and Levi
Stubbs as Audrey II, who was now operated by an entire team
of puppeteers, along with Greene reprising her role as Audrey. A few of the
songs were removed from the production, and the masochistic dental patient was
added back in, played by an ad-libbing Bill Murray.
Although the original dark ending from the stage show was adapted, it didn’t
test well with preview audiences and was replaced with a new, happier one. Little
Shop of Horrors was released by Warner
Bros. on December 19, 1986, underperforming the studio’s
expectations with only a $39 million box office. However, home video sales made
the film a smash hit.
In
1991, a new adaptation came in the form of an animated series produced by Saban
Entertainment and Marvel Productions.
This version, developed by Mark
Edward Edens and Ellen Levy,
combined elements from the original and musical productions while making
changes of their own. Seymour (Marlow Vela, Lisa Paulette and Jana Lexxa
singing) was now 13-years-old and a wannabe nerd (he had all the right
qualities, except the smarts). Seymour frequently broke the 4th wall
to relay his inner thoughts and commentary on situations to the audience.
Seymour’s mother’s hypochondria was changed to her being a health nut,
constantly working out and sticking Seymour with healthy foods. Seymour still
had a crush on Audrey (Tamar Lee & Jennie Kwan), who was now the daughter
of his boss, Mr. Mushnik (Harvey Atkins & Michael Rawls), at the Little
Shop of Flowers (changed from Mushnik’s Flowers). Audrey barely acknowledged
his existence, focusing entirely on finding her future career (the first
episode said she had a lifelong dream of being a firefighter, but she pursued a
different occupation in every episode). The dentist character was reimagined as
school bully Paine Driller (David Huban & Mark Ryan-Martin), who wore
orthodontic headgear (his father was also a dentist). It was Paine’s bullying
that sent Seymour to the city dump where he stumbled upon the 200-million-year-old
petrified seed that would sprout into Audrey Jr. (Roland “Buddy Lewis” &
Terry “Proffet” McGee). Junior was more of an omnivore than a strict carnivore,
eating basically any type of food or object. He was also a rabble rouser,
constantly attempting to make plants rise up against humanity and reassert
their place on the food chain once held during his time via his new “plant
magnetism” ability. And he was a lot nicer to Seymour, often trying to help him
out—especially in regards to Audrey—in his own, crude ways. Junior retained his
hypnosis abilities from the original film, and had a penchant for plant puns. A
character resembling Nicholson made small appearances in various episodes, as
did the flower-eating Fouch.
Little
Shop debuted on FOX
as part of the Fox
Kids
programming block on September 7, 1991. It was written by Edens, Mel Gilden,
Robert Tarlow,
Marty Isenberg,
Robert N. Skir,
Steve Cuden,
Barbara Slade,
Matthew Malach
and Hope
Juber, with Edens serving as story editor. Noticeably
absent from the show—and the title—was any kind of horror. Since this was meant
for children, the episodes largely dealt with the antics of Seymour and Junior
and tried to convey morality lessons amidst the absurdity. The characters broke
out into song several times an episode, and with this being the 90s it wouldn’t
have been complete without at least one of them (in this case, Junior) breaking
out into a rap. Haim
Saban and Shuki
Levy
handled the series’ music, while the raps were produced by Romeo Williams,
John
D. Mitchell and Ron Kenan.
The characters were designed by Joe Horne,
Darrel Bowen
and David
Mucci and animation duties were handled by KKC&D.
Corman himself served as a creative consultant and his distribution company,
Concorde-New Horizons Corporation (now New Horizons),
also handled the show’s distribution. Noticeably, while the characters and the
objects they interacted with were fully colored, the backgrounds instead were
only loosely done so with swatches of colors similar to the style of old UPA
cartoons.
The
series only lasted 13 episodes before it was cancelled. It remained on the
network until the following September and later made its way to the Sci-Fi
Channel’s (now Syfy)
Cartoon
Quest and The
Animation Station programming blocks
until 1997. It wouldn’t be until 2017 that episodes began to surface online; however,
one is only available in a German translation. Meanwhile, the legacy of Little
Shop of Horrors continues on. Since 2003, multiple revivals of the stage
production have been made both in America and the United Kingdom. In 2012, the
original ending for the 1986 film was made
available on home media for the first time (technically
second, but the original poorly-done attempt was pulled
off the shelves at Geffen’s request). Warner Bros. had
also announced a remake
of the musical film was in development, however it has since
been postponed
indefinitely.
“Bad Seed” (9/7/91) – Seymour grows a 200 million-year-old seed into Junior who, unable to go home, stays and helps Mr. Mushnik’s flowers grow.
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