(ABC, September 25, 1982-March 26, 1983)
Hanna-Barbera Productions, Ruby-Spears Productions, Paramount
Network Television
MAIN CAST:
Robin Williams –
Mork
Pam Dawber – Mindy
McConnell
Conrad Janis – Frederick
McConnell
Ralph James – Orson
Frank Welker – Doing,
various
Mark L. Taylor –
Hamilton DuPont, Jr.
Stan Jones –
Principal Caruthers
Before Robin Williams
became a household name, he was a hyperactive alien who sat on his head.
Mork with Richie and Fonzie at Arnold's. |
The retro 1950s
sitcom Happy Days was entered into the world of science fiction by having an alien attempt to abduct Richie Cunningham (Ron Howard) only to be saved by
the show’s most popular character, the Fonz (Henry Winkler). Creator Garry Marshall cast Williams in
the role of Mork from Ork almost immediately after Williams sat on his head at
the audition (a move that was worked into the character), stating that he was
the only alien to audition for the role. The season five episode “My Favorite
Orkan” was initially planned to be an elaborate dream sequence, but when the
character proved to be popular they re-edited the ending to have Mork wipe the
memories of the experience from everyone’s minds. Mork’s creation was inspired
by director Jerry Paris’ previous
series, The Dick Van Dyke Show. In particular, the episode “It
May Look Like a Walnut” which featured a dream with an alien encounter.
Mork (and Williams)
was given his own show in Mork &
Mindy, which was set in present day Boulder, Colorado. Mork was assigned by
his unseen and long-suffering superior, Orson (Ralph James), to travel to Earth
and study human behavior (as well as get rid of Mork who was a practitioner of
humor, which was forbidden on Ork). Mork arrived in an egg-shaped spacecraft
and eventually met and befriended Mindy McConnell (Pam Dawber), who allowed him
to move into her attic. The series focused on Mork’s attempts to assimilate into
and understand human behavior while his own Orkan customs tended to get in the
way (thanks in part to the manic and improvisational comedic stylings of
Williams). Mork’s greeting of “Na-nu na-nu” and expletive declaration of
“shazbot” became popular sayings outside of the show.
Mork, Mindy and their little bundle of aging comedian. |
The sitcom debuted on
ABC on September 14, 1978 and eventually
outperformed both Happy Days and its
other successful spin-off, Laverne & Shirley. The network attempted to use the
show’s popularity in a bit of counter-programming against the competition and
moved it to a new timeslot. They also attempted to attract a younger
demographic by giving the theme song a disco aesthetic, dropping the characters
of Mindy’s father, Frederick (Conrad Janis), and his mother-in-law, Cora (Elizabeth Kerr) and replacing
them with new ones, and changing the focus to the developing romance between
Mork and Mindy. These changes, however, proved detrimental to the series and it
suffered a dramatic drop in ratings. For the third season, it was moved back to
its original timeslot and Fred and Cora were reinstated in an attempt to bring
the show back to basics. When that failed, wilder ideas were pushed in order to
make full use of Williams’ talents. ABC reluctantly renewed the show for a
final season in which one of Williams’ idols, Jonathan Winters, was added as Mork
and Mindy’s adult child, Mearth (Orkans age in reverse), and numerous special
guest-stars made appearances. But, the show’s ratings continued to plummet. Even
though it ended in 60th place in the ratings, it certainly helped to
launch Williams’ long and varied career.
Fred, Eugene, Caruthers, Doing, Mork, Mindy and Hamilton. |
Encouraged by the
show’s earlier success and furthering their attempt for a younger demographic,
ABC commissioned an animated version of the show for their Saturday morning
line-up. ABC had done so previously with The Fonz and the Happy Days Gang and Laverne
& Shirley in the Army. The premise of the animated Mork & Mindy was largely the same as its parent show, except
both Mork and Mindy were de-aged to teenagers attending high school run by
Principal Caruthers (Stan Jones). Williams, Dawber, Janis and James all
returned to voice their respective characters (the first of many voice-over
credits for Williams to come), and Eugene, Mork’s child friend from the live
show’s first season, returned voiced by Shavar Ross. The snobbish bully
Hamilton DuPont, Jr. (Mark L. Taylor) was introduced as a villain-type, trying
to win over Mindy when not causing trouble for others. The character of Cora
made no appearances. Mork was given a pet to accompany him on his mission: a
pink, six-legged dog-like creature named Doing (Frank Welker). Of course, while
Mork was still bizarre by Earth standards, his antics were comparatively toned
down due to the limitations of animation and lack of room for the improvisation
that made the character stand out.
This promotional art for the series was the only time the characters ever met. |
The animated Mork & Mindy was featured on ABC’s Saturday Morning Pac Preview Party hosted by Dick Clark
the night before its debut on September 25, 1982; four months after its live
counterpart was cancelled. It was aired alongside the second season of Laverne & Shirley in the Army, which
was renamed Laverne & Shirley with
the Fonz after the characters of Fonzie (Winkler) and Mr. Cool (Welker)
were added to the cast upon the cancellation of Happy Days Gang. Both shows were given the blanket title of The Mork & Mindy/Laverne &
Shirley/Fonz Hour, with the introduction largely focused on establishing
the Mork cartoon.
Mork is beside himself. |
Story
direction was handled by Gary Goldstein,
Cullen Houghtaling,
Alex Lovy,
Tom Minton,
Dave Russell,
Hank Tucker
and Sharon
Rolnick, with Norman Maurer
serving as story editor and Walt
Kubiak and Gordon Kent
serving as story supervisors. The music was composed by Hoyt Curtin and Paul DeKorte. The
show was jointly produced by Hanna-Barbera and Ruby-Spears Productions, both of
which were owned by Taft
Broadcasting, in association with Paramount Network
Television, who produced the Happy Days franchise of programs. Ultimately,
Mork & Mindy didn’t go beyond its single season. With its conclusion
and the end of Laverne & Shirley, the Happy Days animated
universe came to a close.
EPISODE GUIDE:
“Who’s Minding the Brat?” (9/25/82) – Mork babysits the principal’s
daughter, which leads her to accidentally be changed into a Cave Ork.
“The Greatest Shmo on Earth” (10/2/82) – Mork, Mindy and Eugene have
to rescue Doing from an evil circus ringmaster.
“To Ork or Not to Ork” (10/9/82) – Mork attempts to learn about love
from Eugene while Mindy and Hamilton are cast in the school play: Romeo & Juliet.
“Orkan Without a Cause” (10/16/82) – Feeling lonely and neglected,
Mork joins a motorcycle gang and unknowingly aids their crimes.
“Mork Man vs. Ork Man” (10/23/82) – When Mork accidentally breaks the
video game Orson sent him for his birthday, Mork uses his powers to fix it and
brings the main character to life.
“Which Witch is the Witch’ (10/30/82) – Orson sets Mork up with a
witch date who takes a fancy to Hamilton and gives him magical powers.
“Every Doing Has His Day” (11/6/82) – Mork plans to fake a robbery in
order to get Mr. McConnell to allow Doing back into the house.
“Beauty or the Beast” (11/13/82) – Mork attempts to use his powers to
heal Mindy’s bug bite before her beauty contest, but accidentally turns her
into a gorilla.
“Morkel and Hyde” (11/20/82) – Mork splits himself so he can be at two
places at once, unfortunately one of the Morks turns out to be evil.
“The Wimp” (11/27/82) – NO SYNOPSIS AVAILABLE.
“Ride ‘em, Morkboy” (12/4/82) – The eggs Mork prepared for Orson ends
up being eaten by rodeo animals, which causes them to act uncharacteristically.
“Meet Mork’s Mom” (12/11/82) – When Mork’s parents are sent to Earth
for a meeting with the principal, they’re abducted by a wealthy man who
believes they’ve found the fountain of youth.
“Muddle in a Huddle” (12/18/82) – A rival football team feeds Mork’s
team his eggs so that they’ll play poorly.
“The Incredible Shrinking Mork” (12/25/82) – Mork shrinks himself,
Mindy and Doing in order to pursue a sewer rat that steals the principal’s
watch.
“The Invisible Mork” (1/8/83) – After challenging a bully to a
wrestling match for Mindy, Mork drinks a protein shake that activates an
allergy that turns him invisible.
“The Fluke Spook” (1/15/83) – A sudden rainstorm interferes with a
picnic outing and causes Mork, Mindy and friends to take refuge in a haunted
house.
“Mayhem for the Mayor” (1/22/83) – Mork and Mindy continue an injured
Fred’s campaign for mayor against the unscrupulous DuPonts.
“Coo Coo Caveboy” (1/29/83) – NO SYNOPSIS AVAILABLE.
“A Treasure Ain’t No Pleasure” (2/5/83) – NO SYNOPSIS AVAILABLE.
“The Mork with the Midas Touch” (2/12/83) – NO SYNOPSIS AVAILABLE.
“Extra-Terrestrial Toddler” (2/19/83) – Mistaking a movie robot for an
Orkan creature, Mork zaps it back to Ork and he and Mindy have to retrieve it.
“Time Slipper Slip-Up” (2/26/83) – Mork uses his diamond slippers to
take him and Mindy back to ancient Egypt for their report.
“Super Mork” (3/5/83) – After screwing up on the school paper, Orson
grants Mork’s wish to be more like Superguy and sends him a super-powered suit.
“Mork P.I.” (3/12/83) – Mork becomes a private eye to prove he was
framed for stealing a test’s answers from the principal’s office.
“Monkey on My Back Pack” (3/19/83) – Mork inadvertently helps foreign
spies steal the Army’s new top secret rocket pack.
“On Your Mork, Get Set, Go!” (3/26/83) – When Mork accidentally
destroys the prize money for a race, he enters so that he can win and prevent
anyone from thinking Mindy stole it.
Originally posted in 2016. Updated in 2020.
Originally posted in 2016. Updated in 2020.
1 comment:
A.B.C. and the Network Execs had a huge amount to answer for with the demise of this still hilarious show. They had captured lightning in a bottle in a genius comedian who had immense chemistry with a leading lady of immense charm, all through pure serendipity. And what followed was a classic example of Network greed mixed with 'if it ain't broke leave it the hell alone'. The timeslot shift was utterly ridiculous as was listening to 'experts' on demographics rather than the fans in 'revamping' the cast. But and if anyone thinks there was increased focus on romance in season two they didn't watch it, post the second episode. The second season had the least amount of M&M romance of any season, what it did introduce was 'Jiggle'. ABC tried at that point, to shove semi naked women and innuendo into just about every show and the sight of Raquel Welch vamping, characters called Kama & Sutra, strippers and cheerleaders, alienated' a lot of viewers, something Williams himself cited.
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