Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
February 29, 2016
GEORGE KENNEDY DEAD AT 91
February 27, 2016
URKEL-Os CEREAL
Fishing with Urkel. |
Patriot Urkel. |
THE SUPER GLOBETROTTERS
Spinning off from Hanna-Barbera’s
earlier Harlem Globetrotters, The Super Globetrotters saw The Harlem Globetrotters serving
as the cover for their true identities: The Super Globetrotters. To protect the
world from evil, the Globetrotters would challenge the villains and their
henchmen to basketball games for whatever goal or object they have in mind for
their nefarious plans.
Character model sheet. |
Like the earlier series, while the show featured the names and likenesses
of members of the actual Globetrotters team, they were instead voiced by
professional voice actors. Reprising their earlier roles were Stu Gilliam as
Freddy “Curly” Neal and Johnny Williams as Hubert “Geese” Ausbie. Scatman
Crothers also returned, but as his original character of Meadowlark Lemon was no
longer a Globetrotter by the time the series entered production, he was instead
cast as Nate Branch. Replacing the other departed Globetrotters were James
“Twiggy” Sanders (Buster Jones) and Louis “Sweet Lou” Dunbar (Adam Wade).
Multi-Man, Super Sphere, Gizmo, Spaghetti Man and Liquid Man. |
Each Globetrotter possessed incredible powers granted to them whenever
they stepped into magical portable lockers. Hanna-Barbera recycled the powers,
identities and moves of three of the Globetrotters from the Impossibles segment of Frankenstein, Jr. and the Impossibles: Branch was Liquid Man (sometimes
referred to his Impossibles counterpart’s
name of “Fluid Man” or “Aquaman”, and still bore the former’s “F” logo on his
suit) and could turn himself into water; Sanders was Spaghetti Man (based on
Coil Man), who could stretch and manipulate his body; and Ausbie was Multi Man,
who could create duplicates of himself. New for the series was Neal as Super
Sphere, who could retract his limbs into his basketball head in order to
bounce, smash and grow; and Dunbar as Gizmo, who could pull an unlimited supply
of gadgets for any situation out of his afro (including their lockers). They
were alerted to problems and aided by a basketball-shaped satellite called
Crime Globe (Frank Welker).
Attila and his Huns. |
Facing off against the Globetrotters was an eclectic blend of colorful
one-off foes voiced by an assortment of frequent Hanna-Barbera players. Amongst
them was Museum Man (Herb Vigran),
a disgruntled janitor who had a remote control that could bring fossils and
statues to life; Facelift (John
Stephenson, who also portrayed several other villains), a nuclear-powered
alien that could steal anyone’s face for use on his Demon Droids; Whaleman
(Michal Rye), a pirate who used a mechanical whale in his crimes; Bad Blue Bart
(Paul Winchell), a western
outlaw who used a remote-controlled Phantom Cowboy (also Winchell) to take over
a ranch; The Time Lord (Don Messick),
who could alter time using a crystal and summoned villains of history to aid
him; and Count Bragula (Lennie
Weinrib), a vampire with ambitions to dominate Transylvania. A real person
also crossed paths with the Globetrotters in the form of Attila the Hun
(Welker), who was shunted forward in time following a scientist through his
time machine. Although the Super Globetrotters would often attempt to stop the
villains through comical heroics, things were always ultimately settled with a
basketball game like the original cartoon.
Teamwork makes the dream work! |
The Super Globetrotters followed
executive Fred Silverman
from CBS, home of the original, to NBC where it debuted on September 22, 1979. The
series was written by Tom Dagenais, Rowby Goren, Andy Heyward, Robby London and Larry Parr. It ran until
December 1st when it was combined with Hanna-Barbera’s Godzilla to create The Godzilla/Globetrotters
Adventure Hour. Both shows played out their respective seasons as part of
this block and continued on as reruns until September 20, 1980. Instead of
using the team’s theme song “Sweet Georgia
Brown” by Brother
Bones, the series employed a sound-alike whistle theme composed by Hoyt Curtin.
Ad for the DVD release. |
Because the series was solely produced and owned by Hanna-Barbera, it was
the first of the two shows to be released to DVD through Warner
Archive’s Hanna-Barbera
Classics Collection. The original Globetrotters
series was co-owned by CBS Productions who
maintain its rights. This was also the final series starring the Globetrotters,
although they were the stars of the 1981 television movie The Harlem Globetrotters on Gilligan’s Island. The team and their various members
continued to appear or be referenced on television programs, films and
documentaries over the years while also continuing to perform on the court
almost 500 times a year shared between three different rosters.
Originally posted in 2016. Updated in 2020.
February 20, 2016
THE GARY COLEMAN SHOW
Coleman began his career in 1974 by
appearing in a commercial for Harris
Bank. After several guest spots on established television shows, he found
his claim to fame when he was cast as Arnold Jackson on Diff’rent Strokes; one
of two orphaned brothers taken in by their mother’s former employer. With that role came other
opportunities, including the chance to star in several television movies.
In 1982, Coleman starred in The Kid with the Broken Halo, written by George Kirgo and directed by Leslie H. Martinson. He was Andy LeBeau, a wise-cracking
angel-in-training who kept messing up and causing trouble in training. As a bit
of a last chance, he was sent to Earth in order to perform good deeds for three
families to win his wings. While the movie itself wasn’t a runaway hit, Coleman
was still a name to bank on and NBC decided to
translate the film into an animated series.
Character model sheet. |
Produced by Hanna-Barbera
and Zephyr
Productions, one of the studios behind the film, The Gary Coleman Show focused on the continuing adventures of apprentice
guardian angel Andy (Coleman) as his supervisor, Angelica (Jennifer Darling),
sent him down to perform assigned good deeds in the town of Oakville. Hampering
his efforts most of the time was a being known as Hornswoggle (Sidney Miller),
who would trick Andy into making the wrong choices and having to clean up the
resulting mess afterwards (although, Andy was quite capable of fouling things up
himself). To make matters worse Hornswoggle was invisible to Angelica, leading
her to doubt his existence in Andy’s explanations.
Angelica is unable to see Hornswoggle. |
The subjects of Andy’s help (and trouble) were his Earth-bound friends.
Amongst them was klutzy Batholomew (Jerry Houser) who had a crush on spoiled
rich girl, Lydia (Julie McWhirter Dees); genius Spence (Calvin Mason) with a
verbose vocabulary; Spence’s little sister, Tina (LaShana Dendy), who had a
crush on Andy; Haggle (Geoffrey Gordon), who often spoke in rhyme; and athletic
Chris (Lauren Anders). Occasionally they were at odds with the local bully and
braggart, Mack (Steve Schatzberg). While on Earth, Andy would remove his halo
to become visible to his friends and appear human. Donning it again allowed him
to access his angelic powers.
Spence finds Andy's halo. |
The Gary Coleman Show debuted
on September 18, 1982 on NBC. The opening narration describing the premise was provided
by Casey Kasem over music by Hoyt
Curtin. It was written by Cliff
Roberts, Dianne Dixon, Martin Werner,
Robert Jayson (who also
wrote for Diff’rent Strokes), Paul Dini,
Peter Dixon,
John Bates, Janis Diamond, Mark Shiney, David Villaire,
Bob Langhans, Larry Parr, Sandy Fries, Allan Heldfond, John T. Graham and Tom Ruegger. It was animated by a
Mexican animation studio that Hanna-Barbera had set up expressly for work on
this series due to the tight timeframe they had to deliver it. However,
complications arose when animation came back incorrect; such as Andy’s skin
being rendered as Caucasian as they had never heard of Coleman in Mexico,
apparently. Geoffrey Gordon was an NBC page when he was cast in the role of
Haggle, which became the first cartoon character ever to rap.
Batholomew tries to get in shape to impress Lydia. |
The series only lasted a single season
of 13 episodes, each broken up into two 11-minute segments. It re-aired in
syndicated reruns on Cartoon Network
in the 1990s and again in 2006 as part of their Adult Swim programming block. Kasem’s
narration from the intro were omitted from the reruns. Antioch Publishing
Editors produced several
books based on the series both adapting the episodes and featuring original
stories. While it hasn’t seen a full home media release yet, various episodes
have been made available on various video hosting sites through fan recordings.
Originally posted in 2016. Updated in 2020.
PRYOR'S PLACE
Pryor sharing an anecdote. |
Living bread and anthropomorphic rats populate Pryor's Place. |
CBS' 1984 Saturday morning ad with Pryor front and center. |
Little Richie with Pryor as a Rastafarian. |
The kids of Pryor's Place. |
Originally posted in 2016. Updated in 2020.
February 16, 2016
GEORGE GAYNES DEAD AT 98
February 13, 2016
TARZAN AND THE SUPER 7: SUPERSTRETCH AND MICROWOMAN
For the 1977 season, Filmation paired up the
second season of Tarzan, Lord of the
Jungle with reruns of The New Adventures of Batman in a block called The Batman/Tarzan
Adventure Hour. With the show block being successful, Filmation decided to
use the two established shows as a hook to bring audiences in for some new
content.
Superstretch stretching. |
In 1978, they renamed the block Tarzan and the Super 7 (the
Super 7 referencing the seven
different shows that would be featured with Tarzan) and expanded it to
an hour and a half. Along with Tarzan and a truncated version of Batman, Filmation
included the additional segments of The
Freedom Force, Manta and Moray, Superstretch and Microwoman, Web Woman and Jason of Star Command (the
only live-action show in the block).
Another segment, Sunlight and
Starbright, was planned but abandoned at the
network’s behest (technically making it the Super SIX).
Microwoman and Trouble. |
Superstretch and Microwoman focused
on the first pair of married African-American crime fighting partners on
Saturday morning. Scientist Chris Cross (Ty Henderson) discovered a formula
that would allow him to stretch his body into any shape and gave his wife,
Christy (Kim Hamilton), the ability to shrink to microscopic size. Together
they fought crime as Superstretch and Microwoman, with the help of their dog,
Trouble, whom Christy rode when she shrank. Unlike other superheroes, the pair
never wore costumes; although they did wear matching slacks and sweaters that
were capable of changing shape with their bodies.
Promo for the segment. |
The block debuted on September 9, 1978 on CBS,
but only five of the included segments aired each week. Superstretch and Microwoman would alternate its place with Web Woman every Saturday beginning on
the 16th. Seven episodes ran at 11-minutes each, with four clocking
in at 17. Writers for the segment included Buzz
Dixon, Len Janson and Chuck Menville, with Janson and
Menville serving as story editors. The music was composed by Ray Ellis (as Yvette Blais) and
producer Norm Prescott (as
Jeff Michael). Imperial
Toys would include the characters in their Super 7 puffy
sticker collection, and Superstretch disguised as a robot on a watch.
Battling a deadly double on the screen and in the courts! |
After the block’s debut, DC Comics sued
Filmation for copyright infringement, claiming Superstretch and Manta and Moray were blatant rip-offs of
their characters Plastic
Man and Aquaman,
respectively. Filmation had previously produced an Aquaman
cartoon in association with DC, and was in talks to produce a Plastic Man
series (made instead by Ruby-Spears
Productions). The courts found in favor DC in both a 1980 decision and a
1986 appeal. As a result, no new segments were produced for Superstretch and had never seen release
to home media. The segment remained on the air in reruns when the block moved
to NBC, shedding Tarzan and being
renamed Batman and the Super 7, but was never again once the block went
off the air. To date, only a few sparse episode recordings are available to see
on video hosting sites like YouTube.
“Bad Things Come in Small Packages” (9/16/78) -
C-BEAR AND JAMAL
Jamal Wingo (Arthur Reggie III) was
a young boy living in South Central Los Angeles with his father (George L.
Wallace) and grandparents (Dawnn Lewis & Darryl Sirvad). One day, Jamal was
encouraged to start growing up and give up some of his childish things,
including his teddy bear, the sunglasses and baggy pants wearing C-Bear (rapper
Tone Loc). But, C-Bear magically came to life and ended up becoming Jamal’s
best friend. C-Bear was able to help Jamal deal with important life lessons by
taking him on magical fantasy adventures as well as show him he didn’t need to
lose his youthful outlook in order to grow up. Of course, the sarcastic bear
was far from perfect and sometimes landed Jamal in just as much trouble as he
would himself before helping to turn it all around.
C-Bear and Jamal having a pillow fight. |
The series was created by Earl Richey Jones and Todd R. Jones with Franklyn Ajaye and Barry Douglas, taking
inspiration from Loc’s childhood and his own fantasy adventures he would have
with a teddy bear. Loc also served as an executive producer, along with Phil Roman of Film Roman and Fox Kids’ Margaret Loesch, and
provided the vocals and lyrics for the show’s theme. Kurt Farquhar composed the rest of the
series’ music, each episode featuring one musical number in relation to the
plot and lesson. Film Roman and Loc brought the series to the attention of FOX Children’s Television executive Roland Poindexter who was not
only attracted to the series because of Loc, but also because it allowed them
to tell good stories from the little-seen perspective of an African American
youth.
The kid cast: C-Bear, Jamal, Maya, Kim, Chipster, Big Chill, Kwame and Sooner. |
Care was taken to preserve the
authenticity of the series. Rather than keeping the cast limited to one
particular race or culture, the producers chose to adequately represent the Los
Angeles population with the mix of people that actually resided there. This was
best represented in the form of Jamal’s human friends. Amongst them were Maya
(Kim Fields Freeman), who was a very loud and opinionated, although extremely
smart, African American girl; Big Chill, a large chubby kid who was always
hungry and introduced himself with the phrase “the b-i-g c-h-i-double l is in
the hizouse”; Kwame (both Aries Spears), an Afrocentric kid who wore African
clothing and often found conspiracies by “the Man” whenever he was displeased
with circumstances; Chipster (Jeannie Elias), their odd white friend who enjoys
making others laugh; Kim (Margaret Cho), Jamal’s Korean friend and Maya’s best
friend; and Javier (Paul Rodriguez), Jamal’s Hispanic friend.
The afro-coaster. |
C-Bear and Jamal debuted on
February 3, 1996 as part of the Fox Kids block for an abbreviated first season
before returning that September. The series was a hit with parents and teachers
for the topics it dealt with and the lessons it provided. Although there was a
healthy dose of slapstick comedy featured in C-Bear’s ongoing battle with
family dog Sooner (Danny Mann) and grandma having access to some unusual items
from out of nowhere, the producers made sure that the adults, while quirky,
were presented as good role models and equally important to helping Jamal’s
development as C-Bear. Likewise, scenes at school were done in a respectful
manner to emphasize the importance of education and ensured the teacher was
invested in the development of the students. Along with the Joneses, the series
was written by Al
Sonja L. Rice and Sib Ventress.
VHS cover. |
The series was a likely candidate for a renewal, but internal politics ultimately led to its demise. Saban Entertainment had acquired Fox Kids and wanted to put a greater focus on programs produced in-house; meaning all outside programming had to go in order to make room for Saban-produced shows (a similar occurrence happened after Disney purchased ABC). That included C-Bear and Jamal, amongst other family-favorite programs. Xenon Entertainment Group released three VHS collections with three episodes each in the early 2000s. They later combined them into a single DVD release. Starz Media currently has the rights to the show, however Urban Movie Channel offers it for streaming view through Amazon with a subscription to their channel.