THE STRANGEST TEENS OF ALL
…is the tagline by
which Marvel Comics introduced their newest creation. In 1961, Marvel had
restored the superhero to the public consciousness with their radically new
approach to the genre: heroes who were as flawed as ordinary people, and thus
more relatable to the reading audience. The Fantastic Four were a family with
everyday problems. Spider-Man was the first teenaged solo hero who struggled to
balance his life and alter-ego. The Incredible Hulk was a brilliant scientist
who fought to keep his monstrous side in check. The Mighty Thor was a Norse god
who was intertwined with a mortal to learn humility. And the armor that allowed
Iron Man to be a hero was the only thing keeping him alive. However, what most
of Marvel’s creations had in common was the fact they were ordinary humans
changed into something extraordinary.
The original X-Men #1, 1963. |
In 1963, Marvel took
another new approach: heroes who were BORN with their abilities. Because of a
special X-Gene in their DNA, certain people were born with the potential for a
wide array of incredible abilities that generally activated during puberty.
But, unlike their empowered human brethren, ordinary people had a severe fear
and mistrust of these “mutants,” often resulting in prejudice and violence
against them. Publisher Martin Goodman rejected the initial title The Mutants as he believed no one would
know what a mutant was. So, instead being named after the X-Gene, Stan Lee and
Jack Kirby introduced the world to mutants and their struggles in 1963’s The X-Men #1.
Angel, Iceman, Beast, Marvel Girl, Cyclops (in their second outfits) and Professor X. |
Professor Charles
Francis Xavier, aka Professor X, whose powerful telepathic mind was contrasted
by his inability to walk, believed in a world where humans and mutants could
live together in harmony. He founded Xavier’s School for Gifted Youngsters in
his family estate in the fictional town of Salem Center in upstate New York.
There, he sought to educate young mutants in the use of their abilities and
instill his belief of coexistence in them. But, knowing that there were mutants
who would rather subjugate humanity, such as his old friend and colleague Erik
Lehnsherr, aka Magneto, the Master of Magnetism, Xavier created a strike force
to protect humans and mutants alike: the X-Men. Amongst his first recruits were
Scott “Slim” Summers, aka Cyclops, who could absorb solar energy and project
optic blasts of concussive force; Henry “Hank” McCoy, aka the Beast, whose
ape-like body housed a genius intellect; Warren Worthington III, aka Angel,
with the wings of his namesake; Robert “Bobby” Drake, aka Iceman, who could
create various ice structures from the moisture in the air; and Jean Grey, aka
Marvel Girl, with the power of telekinesis and eventually telepathy.
Stan Lee amongst his creations and everyone that came after from X-Men #-1, 1997. |
Together, the X-Men
battled threats from both mutants and humans, trying to keep both races from
breaking into all-out war with each other. They were exciting! They were
relevant! They were…cancelled? Yes, while the X-Men brought a whole new side to
the Marvel universe and were initially successful, sales began to slump in 1966
after the departure of Kirby and then Lee. Despite the best efforts of new writer
Roy Thomas and a slew of talented artists, who tried to generate renewed energy
by introducing new team members during their tenure on the title, the series
was cancelled with #66 and ran reprints until #93. That unusual move showed
that Marvel wasn’t quite ready to give up on the mutants entirely.
The second team of X-Men debut in Giant-Size X-Men #1, 1975. |
Al Landau, then-president of Marvel, decided to try
and create a book that featured characters from each international market their
books sold well in. In 1975, writer Len Wein and artist Dave Cockrum attempted
a revival of the series with cast of characters comprised of both new and
previously existing characters, based on a suggestion from Thomas, in Giant-Size X-Men #1. The story went that
the original X-Men were captured by a living island named Krakoa, and only
Cyclops escaped to seek help. Xavier quickly recruited a new team of mutants he
had been keeping an eye on to form the all-new team. Unlike the original team,
the new team was not comprised of teenagers and came from diverse ethnic
backgrounds.
The new X-Men: Storm, Colossus, Wolverine, Cyclops, Banshee, Thunderbird, Sunfire and Nightcrawler. |
Newly created for the book was Ororo Munroe, aka
Storm, from Kenya with the ability to control weather (a combination of two
proposed character merged at Thomas’ suggestion); Piotr “Peter” Rasputin, aka
Colossus, a Russian with the ability to change his skin into organic steel;
Kurt Wagner, aka Nightcrawler, a West German circus performer whose demonic
appearance was enhanced by the stench of brimstone whenever he teleported (and
who was envisioned by Cockrum long before his X-gig); and John Proudstar, aka
Thunderbird, a Native American with super strength and enhanced senses.
The new X-Men suit up for the first time in Giant-Size X-Men #1. |
Rounding out the team
were characters who had appeared previously: Sean Cassidy, aka Banshee, an
Irish spy who could fly and project a sonic scream (X-Men #28); Shiro Yoshida, aka Sunfire, a Japanese mutant with fire
manipulation abilities (X-Men #64);
and Logan, aka Wolverine, a Canadian with indestructible adamantium claws and
skeleton who was retroactively made a mutant (Marvel just really wanted a
Canadian character named Wolverine) with animal-keen senses and a regenerative
healing factor (Incredible Hulk #180).
The ever-expanding world of mutants. |
The “All-New,
All-Different X-Men” became a success and their adventures continued in X-Men #94, picking up where the original
series left off before ultimately receiving the addition of The Uncanny in its title. Chris Claremont was by far the most prolific writer on the series, whose run spanned
15 years, bringing in old and new mutants and taking the team on adventures
around the world, to the farthest reaches of space, to alternate dimensions and
alternate timelines. The success of the franchise led to numerous spin-offs and
secondary titles, and eventually their own movie franchise. And, somewhere
along the way, the mutants sought to conquer Saturday mornings as well…
1 comment:
Great piece! I've got to get some of those prints as posters. I hated when Banshee died during Deadly Genesis. I also hated how Sunfire was brought into Uncanny Avengers and then written out just as quickly. Why can't anyone stick with these Giant-Sized X-Men classic teammates?!
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